ARTICLES LISTED IN ORDER OF APPEARANCE
The Cameo by Cristina Velocci, Time Out New York, May 28, 2009

Folksinger Ben Sollee has an appreciation for his roots. When he toured last summer, he proudly displayed this fact both musically and visually by performing in front of one of fellow Kentuckian Phillip March Jones’s 20-by-12-foot “barn paintings,” canvases made using dirt, grass and flowers ground into the paint. So it was only natural that Jones would return the favor by inviting Sollee to perform during his monthlong art show at Cameo in March. “My work and his music come from the same place, and we tend to do things that are about our identity as Southerners,” says Jones. “Bands and artists generally work together, but it’s always that the artist does an album cover or a T-shirt, and there’s nothing interesting about that. We were just trying to represent.”

Ace Weekly Cover by Ace Magazine, August, 14, 2008


On the Outside Looking In by Christine Huskisson, CC Magazine, July 30, 2008

Although there is not yet a good deal written about Phillip March Jones (American, 1981), his artwork has already been labeled as Outsider Art, Art Brut, emerging, contemporary and cutting edge.

In one way or another all of these handles issued by curators, gallerists, judges and jurors hold some truth, but because they tend to pigeonhole or marginalize, none offer a way to grasp the whole of this self-taught, Lexington-based artist.

For me, Jones is particularly intriguing. Not only does he assimilate multiple styles and media, he also employs and possibly even transcends antimodernist strategies in an effort to engage us on a more conceptual level. [Read More]


Understanding the Art Consumer by Business Lexington, News Video, June 3, 2008

Ace Weekly Cover by Ace Magazine, December 6, 2007

W Weekly Cover by W Weekly Magazine, September 27, 2007